The 23rd Vzur International Asian Film Festival to be held today in France.
2017骞2鏈9鏃
Uzul International Asian Film Festival Invitation works went to “Going the Distance / Kokoku” It has 3 awards!
2017骞2鏈17鏃

Abacus and the Sword (Bushi no kakeibo,姝﹀+銇瑷堢翱)

amzn.to/2uPAHaH

[Staff]
Director: Yoshimitsu Morita
Subject: From Isoda Michifumi Novel
Screenplay: Kashiwa Michio
Photography: Okimura Yukihiro
Music: Ooshima Michiru
[Cast]
路 Masato Sakai
路 Yukie Nakama
路 Matsuzaka Keiko
路 Masahiko Nishimura
路 Masatoshi Nakamura
Running Time: 129 Min
Release Date : December 4, 2010
[Official Site] Http :
//Www.Bushikake.Jp/

Edo era, Kaga fief (more or less due to the current prefecture of Ishikawa with Kanazawa capital). Haru (Aya Ueto), a humble maid and the wife of the daimyo (Natsukawa Yui) has a talent for cooking. Funaki Dennai (Toshiyuki Nishida), head of a family of court chefs, convinces her to marry his son Yasunobu (Kengo Kora) to teach him to cook and be able to continue the family tradition. Albeit puzzled, he agrees. The problem is, however, Yasunobu. With the deviation to the manor. With the devotion to the manor. Haru manages to slowly convince to accept his teachings recalcitrant husband (probably even in marital duties). Dennai when the opportunity arises of The opportunity for the inauguration of the new lord of Kaga in the presence of the Shogun,Yasunobu can not longer postpone taking their responsibilities and will supporting him to the looking for him to the looking for him to the looking for his own representatives of the samurai film was to create which is arises from the strict compliance with the bushido (the way of the Sarao Yamanaka and get some respects up to Hana yori mo Naho (Hana, 2007) by Hirokazu Koreeda in depicting samurai as ordinary men on the brink of economic and often existential abyss. The other strand, more full-bodied, is the partial transformation of the ronin, the romantic lone hero, Who Rashomon runs through the decades up to be transfigured in a yakuza film. But it took until the beginning of the third millennium, with Tasogare Seibei (The Twilight Samurai, 2002) by Yoji Yamada,To have a more respectful at the same time the fact that a heroic samurai especially in facing the hardships of work The two hundred and fifty years of the Tokugawa era Peace see it transform from the samurai warriors administrators And some artisans Yamada has From these two films are then descended several others, not all of the same level, we have shown before (Bushi no Ichibun, Love and Honor (2004)) from raised the same issues, from in Kakushi ken oni no Tsume (The Hidden Blade, 2004). , 2006), The director Yuzo Asahara (Bushi no kakeibo, Abacus and the Sword, 2010) samurai-tasters to avoid poisoning of the sovereign (Bushi no ichibun, Love and Honor, 2006), similar situations and then even individual trades in which These excelled the samurai.), Samurai – astronomers (Tenchi meisatsu, Tenchi: the Samurai astronomer, 2012) and now,Still ahead on the path of integration with reality, samurai – cooks., Coming only a few episodes of the comedy series Tsuribaka Nisshi, directs a mainstream The scene man ‘s scene man to to the festival. Scene man a to the festival. The final banquet, then, is a bit ‘It is clear that the cook to convince him that is is good and he did not.The result not too successful course weighs the presence of Ueto Aya, singer and Kora Kengo, who, while a bit ‘Stiff, able to express express well well ardor and youthful anger at having to give up give the sword to the common work. Contemporary roles with which has already convinced .Scene man a to the festival. Scene man a to the festival. The final banquet, then, a is episodes of the comedy series Tsuribaka Nisshi, directs a mainstream The scene man a to the festival. Kora Kengo, who, who, who, she, is not good and he did not. Successful results not too successful course weighs the presence of Ueto Aya, singer and media divor but I am totally denied for acting. While a bit ‘Stiff, able to express well well ardor and youthful anger at having to give up give the sword to the common work. Contemporary roles with which has already convinced.Scene man a to the festival. Scene man a to the festival. The final banquet, then, a is episodes of the comedy series Tsuribaka Nisshi, directs a mainstream The scene man a to the festival. Kora Kengo, who, who, who, she, is not good and he did not. Successful result student wealths the presence of Ueto Aya, singer and media divor but I am totally denied for acting. While a bit ‘Stiff, able to express well well ardor and youthful anger at having to give up give the sword to the common work. Contemporary roles with which has already convinced.Kora Kengo, who, while a It is clear that the cook to convince him that she is good and he did not.The result is too successful course weighs the presence of Ueto Aya, singer and media divor but I am totally denied for acting. Contemporary roles with which has already convinced.Kora Kengo, who, while a It is clear that the cook to convince him that she is good and he did not.The result is too successful course weighs the presence of Ueto Aya, singer and media divor but I am totally denied for acting. Contemporary roles with which has already convinced.

[Katsuyuki Nakanishi]

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Katsuyuki Nakanishi
Born on 1984 in Nagoya City, Aichi Prefecture. Graduated in Vantan Film and Movie Institute major in film director. The fourth graduate of JSC Cinematographers assistant upbringing cramming school. While he was studying in Tokyo, he was also working with Director Shinya Tsukamoto's movie at the same time. After that, he became part of the lighting department of Toei Studios Kyoto, studied under Kiyoto Ando and Takashi Sugimoto. In these movies, he worked as an assistant lighting director with Takashi Sugimoto in "Chacha - Tengai no Onna"(2007) and Kiyoto Ando in "The Fallen Angel"(2010). He work as a freelancer since 2011 and became part of these latest movies as a lighting director of Director Yang Ik-June's 鈥漇hibata and Nagao"(2012), Director Keisuke Yoshida鈥檚 鈥滺imeanile鈥(2016), Director Kohki Yoshida鈥檚 鈥漈hreeLights"(2017), Director Hiroshi Ando鈥檚 鈥滿oon and Thunder" (2017) and Director Shinya Tsukamoto鈥檚 鈥滽illing鈥 (2018).

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