『そうして私たちはプールに金魚を、』予告編B(コメント) -And so we put goldfish in the pool.(TRAILER-COMMENT ver.)
2017年3月16日
Himeanole theatrical trailer
2017年3月20日

Himizu ( ヒミズ , Himizu)

http://amzn.to/2f2KQeH

[Staff]

Director: Sono Sion
Subject: from the manga of the same name Minoru Furuya
Photography: Tanikawa sohei.

Music: Harada Tomohide

Sound Recording: Fukada Akira

Production Design: Matsukuka Takashi

Cinematography: Tanikawa Sohei

Screenplay: Sono Sion

[Cast]

• Sometani Shota
• Nikaido Fumi
• Watanabe Tetsu
• Fukikoshi Mitsuru
• Kagurazaka Megumi
• Watanabe Makiko

• Sumida Yuichi

• Chazawa Keiko

• Yoruno Shozo

• Tamura Keita

• Denden Kaneko
Production: Himizu Film Partners (Gaga, Kodansha), Studio Three Co. Ltd.
Running Time: 129 min
Release Date: 6/9/2011

[Official Site]

http://himizu.gaga.ne.jp/

Score: ★ ☆ ☆ ☆ ☆ 1/5

Originally comes from one of Minoru Furuya manga on the theme perceptions and the psychology of people in the society where there is is possibility of redemption and therefore, the story is changed from are in progress to the account the dramatic events of Fukushima In The meantime.
A Bit ‘Like Saying An Unknown Animal To Other. The Himizu , In Fact, Is A Mountain Mole That Is Only Found In Some Regions Of Japan And Whose Own Name Is Very Rarely Used In The Japanese Language As the protagonist himself in a scene from The film, his desire is to live a life as normal as possible, sheltered, like a mole, in fact.
The film, thus reconfigured, tells the story of a group of desperate people live around an artificial lake used to rent small pleasure boats: on the one hand there are the victims of Fukushima, on the other Japanese company, outright outcasts But A society A Society without humanity. S society ‘s victims. On society’ s victims. The fact that dispossessed, understanding and help are found only in the victims.
Gangbang!, Which means “strength”, “courage”, “do not let go,” “it is a one of the first time in the world ” in long, beautiful, final race the two young protagonists undergo a future still be Built , Repeatedly screaming loudly gambare! Most symptomatic of the universe sociolinguistic Japanese word from the ruins of the world war daraiimpegnarsi, the busy, the pull on the sleeves on their own, without waiting for outside help, all attitudes that marked the rebirth of Japan From The ruins of the world war II, and that even today, albeit slightly declining, pervade the Japanese protagonists is so cry against the sky by the bivalent meaning. On the one hand expresses the strength of desperation of the two young people who want to live At Any cost.It is an exhortation not to give in, to get up, to find hope even, it is an exhortation to come and the crown of the cinema, fiction, and goes to the Japanese people. When you lost everything you had.
An Intense Film, Hard And Sincere Despite Some Weakness Especially Where The Ads Of The Theme Of The Disaster And In The Excess Of Narrative Registers -. Which Also Has A Peculiar Aspect To The Films Of I -, Were Made Himizu Can Not Fail To Be Creativity visionary, iconoclastic, so I is known, is here in the service of a parable about the evils of society culminating in a civil morality that calls for a painful effort to rebuild hopeful prospects. It is the hope that they are those who have lost everything in the disaster, and at the same time is hope, rejected and then laboriously accepted, the children of today’s society.
I have literally discovered and reconstructed as a young dramatic actor, bringing it to real expressive peak .. Along with the female protagonist Fumi Nikaido, it was rightly honored the Venice Film Festival 2011 with the Marcello Mastroianni Award for Best Young Actor.
[Katsuyuki Nakanishi]
mm
Katsuyuki Nakanishi
Born on 1984 in Nagoya City, Aichi Prefecture. Graduated in Vantan Film and Movie Institute major in film director. The fourth graduate of JSC Cinematographers assistant upbringing cramming school. While he was studying in Tokyo, he was also working with Director Shinya Tsukamoto's movie at the same time. After that, he became part of the lighting department of Toei Studios Kyoto, studied under Kiyoto Ando and Takashi Sugimoto. In these movies, he worked as an assistant lighting director with Takashi Sugimoto in "Chacha - Tengai no Onna"(2007) and Kiyoto Ando in "The Fallen Angel"(2010). He work as a freelancer since 2011 and became part of these latest movies as a lighting director of Director Yang Ik-June's ”Shibata and Nagao"(2012), Director Keisuke Yoshida’s ”Himeanile”(2016), Director Kohki Yoshida’s ”ThreeLights"(2017), Director Hiroshi Ando’s ”Moon and Thunder" (2017) and Director Shinya Tsukamoto’s ”Killing” (2018).

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