The tale of the Princess Kaguya (Kaguya-hime no Monogatari,かぐや姫の物語)
2018年12月24日
Giovanni’s Island (Jobanni no shima,ジョバンニの島)
2018年12月31日

映画”37 Seconds”が第69回ベルリン国際映画際パノラマ部門に正式招待となりました👏👏👏
この作品は北米最大の国際映画祭サンダンス映画祭とNHKが主宰するNHK / Sundance Institute脚本ワークショップ・2016 年度日本代表脚本作品で
実は今年の夏に照明技師として参加するはずだったのが三和映材社での撮影研修期間と重なってしまったため撮影機材関係のサポートに専念して参加しています。
まずはこのベルリン映画祭を通じて多くの人に見てもらえたらと思います!!

The movie “37 Seconds” is officially invited to the 69th Berlin International Film Festival Panorama Section👏👏👏

This work is the largest International Film Festival in North America, Sundance Film Festival and the NHK / Sundance Institute screenwriter, presided over by NHK.

Actually, this summer I was supposed to participate as a lighting director but I wasn’t able to make it because it overlapped with my schedule for the photography training at Panavision Tokyo. I am concentrating and participating more on support of the photographic equipment area.

I think there are many people who will attend to witness The Berlin Film Festival!!
#BerlinInternationalFilmFestival #BIFF2019
#37seconds #NHK #SundanceInstitute

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Katsuyuki Nakanishi
Born on 1984 in Nagoya City, Aichi Prefecture. Graduated in Vantan Film and Movie Institute major in film director. The fourth graduate of JSC Cinematographers assistant upbringing cramming school. While he was studying in Tokyo, he was also working with Director Shinya Tsukamoto's movie at the same time. After that, he became part of the lighting department of Toei Studios Kyoto, studied under Kiyoto Ando and Takashi Sugimoto. In these movies, he worked as an assistant lighting director with Takashi Sugimoto in "Chacha - Tengai no Onna"(2007) and Kiyoto Ando in "The Fallen Angel"(2010). He work as a freelancer since 2011 and became part of these latest movies as a lighting director of Director Yang Ik-June's ”Shibata and Nagao"(2012), Director Keisuke Yoshida’s ”Himeanile”(2016), Director Kohki Yoshida’s ”ThreeLights"(2017), Director Hiroshi Ando’s ”Moon and Thunder" (2017) and Director Shinya Tsukamoto’s ”Killing” (2018).

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