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宇多田ヒカル「忘却 featuring KOHH」

【忘却】 VantanAFで先日参加した 宇多田ヒカル、気鋭映像作家とタッグ組んだ「忘却」MVフル尺公開 照明技師:バンタンOB前島祐樹 照明アシスタント:バンタンOB中西克之

natalie.mu/music/news/217373

宇多田ヒカル、気鋭映像作家とタッグ組んだ「忘却」MVフル尺公開

宇多田ヒカルの最新アルバム「Fantome」より「忘却 featuring KOHH」のミュージックビデオがYouTubeにてフルサイズで公開された。

CD出荷およびデジタル配信を合わせて100万枚のセールスを記録した「Fantome」の中でも、KOHHとの共演がひと際話題を集めた同曲。注目の若手をフィーチャーした楽曲同様に、宇多田はMVでも気鋭の映像作家を起用した。

監督を務めたのは、yahyelのメンバーであり、Yogee New WavesやSuchmosのMVを手がけるdutch_tokyoこと山田健人。彼は「映像監督としてこのような音楽に意味を視覚付けすることは、別のチカラを与えることでもあり、その全てを映像の一つ一つに落とすということであります」と制作にあたって意図したことを明かすと共に、「素晴らしい曲の価値をただのビジュアルの消費にしないような映像にできたと思っています」と出来栄えに自信をうかがわせている。

山田健人 コメント

監督させて頂くにあたって一番大切にしたことは、余計なものがない純粋な“ミュージック”・ヴィデオであることにこだわるということです。
お話を頂いて改めてこの「忘却」という音楽と向き合って感じた、宇多田さん、KOHHさんそれぞれの世界は、あらゆる経験の還元された表現でした。
映像監督としてこのような音楽に意味を視覚付けすることは、別のチカラを与えることでもあり、その全てを映像の一つ一つに落とすということであります。
5分間、他の一切の感覚をなくすような没入感、神々しさ、生と死、意識と無意識、存在と不在、認知、主観と客観…
あえて文字にするとそのような世界観を持った映像です。
素晴らしい曲の価値をただのビジュアルの消費にしないような映像にできたと思っています。

※「Fantome」の「o」はサーカムフレックス付きが正式表記。

 

【Forgetfulness】 I participated the other day at VantanAF Utada Hikaru, “An oblivion” MV full-scale publicly announced with an avid film creator Lighting technician: Vantan OB Maejima Yuki Lighting Assistant: Vantan OB Nakanishi Katsuyuki

natalie.mu/music/news/217373

Utada Hikaru, “An oblivion” MV full-scale publicly announced with an avid film creator.

Utada Hikaru of “forgetting featuring from latest album” Fantome ” KOHH music video of” has been published in full size at YouTube.

Among “Fantome” which recorded 1 million copies of sales together with CD shipping and digital distribution, the same song that the topic with KOHH gathered is a topic. Like music that featured a remarkable youngster, Utada appointed an acclaimed video artist at MV.

Had served as a director, Yahyel is a member of, dutch_tokyo this and Yamada Takehito Gakeru MV of Yogee New Waves and Suchmos. He says, “Visualizing meaning to such music as a video director is also to give another tokyo, and to drop it all in one image” “I think that I was able to make it a video that would not make the value of a wonderful song just a visual consumption”, he says confidently in his work.

Kento Yamada Comment

The most important thing for you to supervise is that it sticks to being a pure “music” video without extra things.
Utada and Mr. KOHH each world felt confronted with this “oblivion” music again after receiving a story was a reduced expression of all experiences.
To visualize the meaning to such music as a picture director is also to give another tokyo, it means to drop it all into one of the images.
5 minutes, the other all of the immersive, such as to eliminate the sense of, divinity, life and death, consciousness and unconsciousness, presence and absence, cognition, subjectivity and objectivity …
is a dare when the character images with such a view of the world .
I think that it was possible to make such a video that does not make the value of a wonderful song just for visual consumption.

* “O” of “Fantome” is official notation with circumflex.

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Katsuyuki Nakanishi
Born on 1984 in Nagoya City, Aichi Prefecture. Graduated in Vantan Film and Movie Institute major in film director. The fourth graduate of JSC Cinematographers assistant upbringing cramming school. While he was studying in Tokyo, he was also working with Director Shinya Tsukamoto's movie at the same time. After that, he became part of the lighting department of Toei Studios Kyoto, studied under Kiyoto Ando and Takashi Sugimoto. In these movies, he worked as an assistant lighting director with Takashi Sugimoto in "Chacha - Tengai no Onna"(2007) and Kiyoto Ando in "The Fallen Angel"(2010). He work as a freelancer since 2011 and became part of these latest movies as a lighting director of Director Yang Ik-June's ”Shibata and Nagao"(2012), Director Keisuke Yoshida’s ”Himeanile”(2016), Director Kohki Yoshida’s ”ThreeLights"(2017), Director Hiroshi Ando’s ”Moon and Thunder" (2017) and Director Shinya Tsukamoto’s ”Killing” (2018).

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